Haiku Society of America Rengay Awards - 2025

Haiku Society of America Rengay Award
in Honor of Garry Gay

2025


Judged by
Jonathan Roman & Agnes Eva Savich
Judges Commentary


 

2025 First Place

 

Current

sweat bees
drowned migrants
look up 

head down
they shave his hair

her grandpa's corrido
crying is part
of the joy 

ICE van idling
outside the taquería
a baker’s dozen

huddled masses
she knows it by heart 

they cross the river
with the moon
on their backs

 

Anton R–kelian, San Diego, CA 1, 3 & 5
Orense Nicod, Paris, France 2, 4 & 6

 


2025 Second Place

 

Maiden Voyage

early morning mist
the shipwright's hands
pungent with oil

a whisper of white oak
curls from the blade

the dinghy
made of ancient Huon pine
rigged for a sail

tacking planks
to the steam-bent ribs
scent of red cedar

a last coat of varnish
warming twilight

starboard  side . . .
polishing the fog bell
for its maiden voyage

 

Ron C. Moss, Tasmania, Australia 1, 3 & 5
Paula Sears, Exter, New Hampshire 2, 4 & 6

 


2025 Third Place

 

Between Worlds

deep in the marsh
one watches, one weaves
nest-making geese

a grey heron pauses
where the river bends

soft as fog
hard as seed
cattail fluff

clatter of white storks 
a courting dance
ruffles the reeds

half dead half living
lightning struck pine

empty duck blind
where a hunter’s shadow  
used to fall 

  

John Thompson, Sonoma, CA 1,3 & 5
Neena Singh, Lucknow, Uttar Pradesh, India 2,4 & 6

 


2025 Honorable Mention 1

 

Emergence

swirl of gray
the traveler’s cloak
turns to mist

seeing shapes
in a starling murmuration

unexpected melody . . .
the shift
in my mood

taste of sunrise
orange sherbet
push-up pops

wandering the garden
a petal brushes my hand

grandma’s perfume . . .
I bend to inhale
pink lilacs

 

Mary McCormack, LaGrange Park, IL 1,3,& 5
Kathryn P. Haydon, Lake Bluff, IL 2,4 &6


2025 Honorable Mention 2

 

3AM

Samhain—
the littlest witch
in her mother’s ashes

the creak of a cradle
from the ossuary

worm moon—
deep in his skull
black dahlias

hood’s shadow . . .
the upturned hand
of the mummy

around the corpse
swarm of scarabs

dust to dust . . .
the blue of her ghost
fogs the horizon

 

Rowan Beckett Minor, Cleveland, OH 1, 3 & 5
Joshua Gage, Cleveland, OH 2, 4 & 6


2025 Honorable Mention 3

 

Turn, Turn, Turn

sea smoke
urchin shells litter
the breakwater

the splay
of a tern’s wing feathers

snow glitter
tracking a mink
above the high-tide line

repositioning
what’s left of the hull
‘nother nor’easter

outer harbor
ice beads the mooring chain

circling
the keeper’s headstone
the automated beacon

 

Kristen Lindquist, Camden, ME 1,3,5
Alan S. Bridges, Westford, MA 2,4,6


 

~ ~ ~

 

 

 

 

These awards for unpublished rengay are sponsored by the Haiku Society of America in honor of Garry Gay, the inventor of rengay.

Winners by Year: | 2025 | 2024 | 2023 | 2022 | 2021 | 2020 |

See the contest rules for entering the next Haiku Society of America Rengay Award competition. 

 

Ingredients We Look for in Exemplary Rengay:

by Garry Gay and Renee Owen

Adherence to Form – 2-person rengay (3/2/3/3/2/3) and 3-person rengay (3/2/3/2/3/2).

Compelling Themes – at least one discernable primary theme with a possible bonus for a secondary theme.

Universality of Meaning – why the poem matters and what it speaks to.

Effective Haiku – preferably strong haiku that carry enough weight to stand on their own.

Linking & Shifting – linking creates a pleasing flow, with 2-line stanzas linking well with the lines directly above and below, while the shift adds a new dimension.

Interesting Title – especially compelling if it doesn’t echo a line from the first few stanzas.

Exceptional Writing Style – incorporates poetic techniques, fresh imagery and word choices, a variety of sensory details, varied line/stanza structure, noteworthy sounds (like alliteration, consonance, etc.), avoids clichés and contains no spelling or grammatical errors.

Sense of Mystery or Something Left Unsaid—to engage and stimulate the reader.

Satisfactory Ending – a sense of completion and a possible link between the final and first stanza.

Multiple Rereadings – the poem continues to deepen and hold our interest.