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Judges' Commentary for
the 2010 Harold G. Henderson Memorial Awards


 


Judges' Commentary for 2010


2010 Harold G. Henderson Haiku Contest Results

Judged by Fay Aoyagi, California & Lenard D. Moore, North Carolina

We have enjoyed judging the 2010 Henderson Contest. This year's contest received 834 haiku from seven countries.

First Place ($150) Michele L. Harvey, New York

All Souls Day...
my name called
from the front gate

This haiku pulls the reader inside the body of it with its first line, offering a time for prayer for those who are deceased. One of the persons, who arrives to pray, hears his or her name. Who calls the person's name? Is it someone from the other world or afterlife calling? There is mystery embedded in this haiku. Yet, this haiku ends with a concrete detail that gives a locale to it. Moreover, this haiku resonates with assonance in each line. Haiku can be written in simple words and open a door for the deeper world.

Second Place ($100) Tish Davis, Ohio

autumn
an empty booster seat
in the barber's window

This haiku opens with the season and enables the reader to bring his or her own experience of the autumnal world. Then there is the juxtaposition of the things of the hu- man world. Of course, autumn symbolizes the changing of the natural world, especially the colors of leaves, plants and grasses. It also signals migration, especially of birds.

So, the aging process deepens. This haiku evokes the feeling of loneliness and its specificity strengthens its emotional ap- peal for the reader.

Third Place ($50) Michele L. Harvey, New York

hunter's cabin:
of the woods
not of it

This haiku enables the reader to see the cabin and woods im- mediately. The reader knows that winter is the setting of the haiku. Although the woods are cold and silent, there is the hunting that happens during this season. Moreover, winter symbolizes death and desolation. Furthermore, this haiku em- bodies a depth of meaning and moves from smallness to vast- ness. Yet, this haiku is mysterious and original. Thus, the reader wonders about the harmony in which humans should live with the natural world.

First Honorable Mention Margaret Chula, Oregon

end of the walk
returning the crow's feather
where I found it

This haiku goes full circle as the person returns to his or her starting point after walking. Perhaps the person has an aware- ness that the crow connotes that which is ominous. Why does the person pick up the feather? After contemplation during the walk, the person puts the feather back in its place because he or she knows the natural world has a way of recycling itself. Consequently, the last line of this haiku carries the impact.

Second Honorable Mention Adelaide B. Shaw, New York

cafe for sale—
outdoor tables rusting
into autumn

Maybe the slowing economy causes the customers to linger at the cafe. To that end, the owner puts it on the market. Al- though the weather helps with the rusting process, it is time that extends or deepens what the reader experiences in the haiku. The last line, however, is such a surprise that it enhanc- es the effectiveness of the haiku. In short, there is an ongoing movement in the line. Yet, there is the beauty of autumnal colors and a sense of loneliness.

Third Honorable Mention Carolyn Hall, California

day lilies
another death date added
to the family tree

This haiku exhibits a number of day lilies that are blooming. In contrast, there is the death of someone and the date of his or her passing is significant in the family as it is in any family. However, the person's family becomes smaller while the day lilies seemingly multiply. Moreover, the blossoms do not live long, though there is temporary beauty. In short, this haiku embodies the cycle of life.


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